If you start with one sound artist based in North of England, add an and installation from the IOU Theatre, mix in William Mace on cello and then you will have a very low key, soft spoken without words, beautiful start of 2015.
Full disclosure: This review is part personal, part actual review, and part inner eye.
After being captured, and taken, by this album late November 2014, I have listened to it somewhere between 150 and 250 times. For the mathematically savvy, you are absolutely right in your assumption that I listened to the album 1-3 times a day. Actually, except for whatever has been playing on the radio - this is the only album I have listened to for the last 100 days.
This is my 150 first days with this album.
It is without doubt one of the best albums I have ever had the chance to listen to. If ...